Rainy Day in Town paints the city when it decides to whisper. Inspired by a rainy day in Paris, figures move under umbrellas, headlights stretch into color on wet pavement, and buildings dissolve into a soft geometry that feels both real and remembered.
 
Richard Wieth keeps edges loose so weather can do its work; he sharpens just enough along a coat, a wheel arch, a curb to anchor the eye. The palette is modern and restrained: grays that lean blue, warms that flare in windows and taillights, a few deep notes to pin the composition. What carries the scene is reflection. Color swims across the street in long verticals, broken by crosswalks and wheels, turning an ordinary block into a quiet theater of light.
 
The painting suits rooms that appreciate atmosphere—living spaces, hallways that want depth, offices that need a view—bringing the hum of a wet evening without the chill.