Sunlight is a study in quiet radiance. Glass catches the day in thin lines and bright points; shadows stretch across a warm tabletop and soften at the edges.
 
 
Richard Wieth uses a limited vocabulary—measured strokes, controlled edges, thoughtful temperature shifts—to let the light carry the painting. There is an elegance in how little is required to describe the scene, and that economy gives the piece its calm. Look closely at the transitions: a transparent veil where light recedes, a thicker touch where it leaps forward, a single sharp edge that defines the limit between object and air.
 
 
The arrangement feels both deliberate and unforced, like an afternoon that fell into place. It invites a slower pace wherever it hangs.